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This paper explores grassroots community activist art archives and their ability to disseminate and preserve digital protest art in the period surrounding the Belarusian 2020 presidential election. This paper focuses on the cultural aspects of these digital archives and argues that they have become a recent source for describing, defining and communicating Belarusian culture in ways that have challenged the norms of political power and the centrality of the archives of state institutions.

Archiving the digital semiosphere: A study in Belarus