English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Narrative productions methodology (NPM) constitutes a social research technique that, within feminist epistemologies and, in particular, Haraway’s situated knowledge, seeks to produce partial knowledge from co-writing practices of research texts between researcher and participant. The question that emerges is the extent to which NPM goes beyond co-construction to involve a deeper sense of dialogism, in which alterity is not dissolved but remains as a tensioned difference. The aim of this paper is to explore how dialogizing NPM can improve narratives as a feminist research tool. This has political and epistemological implications, as in the construction of knowledge some validation mechanisms dominated by specific groups have been privileged. As a consequence, not all knowledge has the same recognition, and feminist epistemologies argue against this over-representation. The political and epistemological implications of these suggestions are discussed.

Rethinking the dialogical dimension of narrative productions beyond co-construction: unveiling the role of disagreement, contradictions, and dispute