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This article shows how the Bauhaus ideas were translated into textile and clothes. At the center of Bauhaus esthetics were functionalism, abstraction, and the realization of the “Gesamtkunstwerk” (total work of art). The Bauhaus esthetic thus decisively shaped the development of art and design in the 20th century. The text documents the many difficulties encountered in the attempt to translate this esthetic from textiles to fashion. It shows the institutional problems that arose since a rejection of female creativity prevailed within the Bauhaus school, so those female students had to work primarily in weaving. Furthermore, the examples of Gunta Stölzl and Anni Albers are used to explain how the female artists finally managed to successfully translate the Bauhaus style into textile works. It becomes clear that although the Bauhaus propagated the Gesamtkunstwerk, it no longer meant the unification of art and fashion that was so important for Art Nouveau and the earlier reform movements. The article also traces how fashion designers in the 21st century, particularly on the occasion of the Bauhaus anniversary in 2019, referred to the Bauhaus and how two-dimensional patterns of weaving were translated into fashion collections, whereby the problem of transferring them to the three-dimensional field of the body is also addressed.

Fashionable Bauhaus: Translating the Bauhaus Esthetics into Textile and Fashion Design