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Famously described by her sister Charlotte as ‘long-suffering, self-denying, reflective, and intelligent, a constitutional reserve and taciturnity placed and kept her in the shade’, Anne Brontë has been consistently filtered through her eldest sister. This article suggests the notion of Brontë as a figure of curation, in acknowledging Charlotte Brontë’s personal agenda in the writing of the 1850 ‘Biographical notice of Ellis and Acton Bell’. With the intention of softening and feminising her sisters’ reputations, Charlotte’s (re)writing of Anne has been long accepted into Brontë lore. This article explores the consequences of the ‘Notice’ and its significance in the posthumous reception of Anne’s work as mainly autobiographical. It suggests that Anne Brontë’s enduring image as the meek, mild, moralist is a result of Charlotte’s careful and conscious curation, and explores the influence of this image on her literary legacy.

‘Free from Soil’: The Curation of Anne Brontë