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The 2020 crime thriller web series  Paatal Lok  featured a Nepali trans woman by the name of Mary Lyngdoh who is referred to as ‘Cheeni’ (a racial epithet for persons from India’s Northeast region and East Asia). The series has been lauded for its inclusive representation of a transgender actor, Henthoi Mairembam from Manipur, yet the choice of a Khasi name, ‘Mary Lyngdoh’, for a Nepali character as well as the use of ‘Cheeni’ as an alias raise multiple questions about racialization and queer politics in India. This arbitrary racialized characterization in  Paatal Lok  and its queer Northeast representation can serve as critical points of departure to examine the emerging LGBTQ politics in Northeast India. This paper attempts to highlight the convergences and incommensurability of LGBTQ politics in the region, particularly in Manipur, with that of mainland India. Against the backdrop of the history of militarization and conflict in Northeast India, LGBTQ individuals migrants from the region are further racialized in India’s metropolitan centers. This geopolitical alienation is felt by LGBTQ persons from the Northeast at the scale of the body. LGBTQ politics in Manipur represents a new form of resistance that introduces ‘Indigeneity’ as an identity and an epistemic category to counter the assimilationist projects of Hindutva’s authoritarian nationalism.

Between ‘Cheeni’ and ‘Nupi Maanbi’: Transgender politics in Manipur at the intersection of nation and Indigeneity