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Punjab, when viewed through the lens of culture, presents a multifaceted and multi-dimensional cohesion. Within the frame of a cultural phenomenon, Punjab appears to be many Punjabs at once, a geographical, a political, an online, a feudal, and a diasporic Punjab. All of these many phizogs appear to be in continuous dialogue, negotiating for the supremacy of one structure. The paper aims to examine these kaleidoscopic patterns of a changing Punjab through the negotiations occurring within the cultural phenomenon of Sidhu Moose Wala as a singer, painting a picture of an evolving Punjab that persists along spatial, temporal, and cultural axes.

Negotiations within a cultural phenomenon: Sidhu Moose Wala and a changing Punjab