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The Seventeenth Century saw several changes in how writers represented walking. Like so much else in the culture of the period, this evolution was the product of a dialogue between earlier Christian and classical models, as the inherited metaphor of the pilgrimage was replaced, first by classical models of the country-house walk and then of urban walks full of satirical observation; there also emerged largely native forms, including nocturnal ‘rambles’ in search of sexual pleasure and a distinctive revival of the Christian tradition in the meditative and visionary ‘walks’ of Henry Vaughan and Thomas Traherne.

Christian and Classical Directions in English Literary Walks of the Seventeenth Century