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Sexual violence reporting is a site where issues of visibility, publicity, privacy, algorithms, and intelligibility all converge, and where the language of digital “space” is married to metaphors of “going public.” Using Google search results of Emma Sulkowicz and Chanel Miller’s stories of sexual violence as a springboard, this theoretical paper explores how all of these metaphors—public spaces, going public, being seen—are both prevalent and entirely inadequate for describing the realities of being covered by journalists in today’s contemporary technoculture. Stories of sexual violence in the media operate within a capitalist system of visibility in which they are repackaged, distributed, and made profitable for both news outlets and digital platforms. Rather than a neutral “public space,” stories of sexual violence and survivorship travel in what I call a public  stage , or the eternal, infinite, and (often) intensely misogynist space of the internet. I conclude that the visibility economy of digital space, in which everything is treated as public and visible forever, has only intensified rather than abated the skepticism with which survivors are treated.

The mouth of the internet, the eyes of the public: sexual violence survivorship in an economy of visibility