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This article investigates the working life of Taiwanese TV screenwriters who have commuted across the Taiwan Strait since the 2010s to supplement previous research on Taiwanese creative workers in China. My analysis is divided into three parts: (1) the screenwriters’ work structure and problems; (2) how their self-enterprising ethos pushes them to adhere to the Chinese state-market regime; and (3) the competitions in the screenwriting field, their solutions to the problems, and their attitudes toward building collective solidarity to empower themselves. This article argues that the Taiwanese screenwriters working across the Taiwan Strait have three common features: self-enterprising, self-censorship, and self-interests. Their competition has resulted in internal rivalry, jealousy, and personal attacks. So far, their resolutions to problems are individually based, and they do not change the structural relations that the screenwriters collectively face.

Dire-Straits: Taiwanese TV screenwriters in the neoliberal and authoritarian 2010s