English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Working within the framework of the “city-as-archive,” this article investigates recent place-making processes that have occurred in Seoul, South Korea—debates over the function and symbolism of Gwanghwamun Square. The nature of the dynamics in who archives a city is determined by which actors hold power in place-making. In turn, archiving a city is a vigorously political process. In order to understand how the actors of Gwanghwamun Square’s place-making affect the visualization and formation of shared city stories and memories, three significant stages of development at Gwangwmun Square will be examined: 1) the construction of a historical site that archives political ambition and nation-building, 2) the creation of an icon for global brand-building, and 3) as the archival site of conflicts between political leaders’ ambitions and their citizens’ priorities. By analyzing three phases of re-development, it becomes clear how power shifts, and how the scope of stakeholders expands and changes. It reveals the city as an archive, how a public space has been (re)collected, revised, retrieved, and erased by different stakeholders during different political contexts.

Who archives the city? place-making at Gwanghwamun square: power struggles between political authority and civil power