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This study focuses on the Japanese and Taiwanese dancers who—in the 1940s and under the auspices of the Japan Broadcasting Corporation—performed for the Japanese army on the frontlines of combat as a visiting entertainment troupe of comfort ( Imon-dan ).  Imon-dan  performers, unlike  Ian-fu  (comfort women), were professional artists even before the war. During the Sino–Japanese War, the Ministry of the Army deployed entertainment troupes of comfort who were professional performers to entertain soldiers stationed in the Japanese occupation area. Such troupes included Japanese, Korean, and Taiwanese dancers because wartime Japan occupied Taiwan and Korea. This paper tracks one route to Burma in 1941 using new information from several people and a video recording. Consequently, the Japanese government used the  Imon-dan  in this instance to promote Japan’s support for Burma’s independence. These encounters resulted in modern dancers interacting with Taiwan and Japan.

Dancers in the Japanese entertainment troupe of comfort in the 1940s: traveling along the Burma–China frontline