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This is an artist’s reflection on a performance entitled  Intersections: Traditionally Speaking , which was presented on March 2018 by the author who is a Malay dance practitioner-scholar and his counterpart, Elizabeth Chan, a practitioner-scholar of Chinese dance. The performance-lecture as a chosen format offers an opportunity for intercultural and interdisciplinary dialogue about their individual practice and scholarly investigation. Through the performance, they addressed discourses of gender, nation and, innovation within tradition. In addition, they demonstrated through dance how their embodied knowledge intersects and informs one another. Their discursive exchange and corporeal dialogue revealed how their respective “traditional” dances have developed in tandem with nation-building agendas amidst transnational trends and creative contestations. The author concludes that this performance-lecture as Inter-Asia artistic activism, demonstrated how knowledge and unique perspectives, produced by juxtaposing intercultural discussions with bodies in motion, can reveal intricacies and nuances that language alone cannot fully describe.

Inter-Asia traditional dances in dialogue: reflections on a performance-lecture between Singaporean practitioner-scholars