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This article discusses the connection between the postwar Black-Jewish cooperation in popular music and American ethnic politics through the case study of Jerry Leiber and Mike Stoller – the successful duo R&amp;B songwriters of the 1950s and early 1960s. These Jewish songwriters and music producers carried out some important historical work collaborating with Afro-American performers. The article discusses Leiber &amp; Stoller’s contribution to postwar multiculturalism through a specific blend of elitist-humanism that relates to the politics of American Jews in the music industry as having much more subversive sensibilities than the academic discourse used to portray.

Jerry Leiber and Mike Stoller’s elitist humanism and multiculturalism in postwar rhythm and blues music