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Fictional representations of contagion, that is epidemic or pandemic in film, mainly fall within the genres of fantasy, horror, or science fiction, while their narratives focus on fear and panic, on disturbance of the social equilibrium. Approaching the film interpretations of the subject from the perspective of biopolitics as it is understood by Giorgio Agamben, this paper explores how media products of the postmodern era, created several decades apart and originating from different productions and geopolitical circumstances, interpret the idea of isolation in quarantine as a means of questioning the nature of humanity.  Variola Vera , a Yugoslav film from the 80s, produced in Eastern Europe at the peak of postmodernism is juxtaposed against the most recent  To the Lake, a TV show produced in Russia and  distributed on Netflix. As fictional representations of epidemics, they demonstrate a clear and consistent pattern in the portrayal of disease and quarantine, deploying tropes of the outbreak narrative in constructing the texts and relating it to the postmodern horror film. Before all, theyask the question “If one is not a human being, what is one?” when the social management of contagion is conceived spatially: as quarantine, as isolation.”

Representing quarantine on film: fearing the monster inside