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In the 1970s, Hong Kong kung fu films were distributed across Africa and reached large audiences. Although the spread of Hong Kong films in Africa has received some scholarly attention worldwide, the African reception of Chinese films in the post-Mao era has rarely been analysed. Based on archival research and the collation of historical data and materials, this article discusses the background and advancement of the new Chinese socialist martial arts films across Africa and uses the acclaimed film  Wudang  as a case study to explore the spread of Chinese socialist martial arts films. This article argues that Mainland Chinese films’ imitation of Hong Kong films was a strategic choice made in the context of the Economic Reform and Opening Up policies, in response to Africans’ changing attitudes toward socialist ideology. The research contributes to the understanding of the historical exchanges between China and Africa in the post-Mao era, as well as to the topic of cooperation in the Global South today.

The Spread of New Chinese Socialist Martial Arts Films in Africa