English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper contributes to recent debates about memorials and the persistence of outmoded forms that commemorate figures associated with slavery and colonial depredations. The focus is on John Batman, often considered to be the founder of Melbourne, and a subject that has been commemorated in numerous forms. We explore the ways in which reified understandings of Batman were consolidated by these memorials. We argue that they provided a basis for the rampant settler colonialism that was initiated by his arrival in what became Melbourne. While the power of the Batman myth has endured for many years, we show how more recently it has been challenged by a range of art-inspired memorials that provide oppositional and alternative meanings and forms. We especially focus on the potency of counter-memorials, forms that directly address these older modes of commemoration, and anti-memorials, inventive installations that seek to dissolve singular meanings and continue the work of decentring outmoded commemorative forms and narratives.

Reified monuments, counter memorials and anti-memorials: contested colonial heritage in Melbourne – commemorating John Batman