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In contrast to the steady increase in discrimination against Jewish and/or Israeli scholarship in Western academic circles over the past decade, supported by traditional antisemitic conspiracy tropes, Chinese academia, encouraged by government support for translation and publication of Israeli literature, has consistently expanded the opportunities for studying Israeli literature. This article analyzes the reception of Jewish and Israeli literature in China today, principally through assessment of the popularity of the writings of Etgar Keret, a contemporary writer well-known for his surrealist and sardonic writing style grounded in the hard realities of daily life in Israel. It will demonstrate a positive approach to contemporary Israeli literature in mainland Chinese universities and assess the reasons for it.

The reception of contemporary Israeli literature in China: the case of Etgar Keret