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In this article I introduce the notion of “borrowing scenery” or  jiejing  (Jp.  shakkei ) from Ji Cheng’s 1635 treatise  Yuanye  ( The Craft of Gardens ).  Shakkei  became highly influential in the west through Teiji Itoh’s popular book  Space and Illusion in the Japanese Garden  (1965). I firstly use an analysis of the 1652 Geppa-rō tea pavilion at Katsura Rikyū as a case study that satisfies Itoh’s model of  shakkei . This allows me to propose an ontological foil to Itoh’s model that draws on the Ming-era discourse of Shao Bao (1460–1527), contemporary Chinese scholarship on borrowing as well as David Bohm’s concepts of  unfolding  and  enfolding  from his metaphysics of the implicate and explicate orders. I conclude the article with a novel formalisation of what I call an  unfolding architecture  and  enfolding landscape  at the Geppa-rō pavilion.

Unfolding Architecture, Enfolding Landscape: The Shakkei at Geppa-rō Pavilion