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This essay explores the narratives of Claudio Magris and Amin Maalouf as a literature of identity, memory and testimony that seeks to foster social justice, dialogue and inclusivity in twenty-first-century Europe and the Mediterranean. In  On Identity  ( Les Identités meurtrières , 1998) Maalouf investigates individual and collective identities, their elusive and treacherous dynamics, through a reflection that encompasses the Levant, the north-south Mediterranean divide and its endless permutations. Similarly, Magris’s fictional characters occupy liminal worlds in which identities contaminate, overlap, and often dissolve, while exclusivist belonging reveals itself as a deceptive chimera. In  Blindly  ( Alla cieca , 2006), Magris explores the legacy of twentieth-century destructive identitarian myths and presents an alternative history that derives from inhabiting alterity, in a process that makes his characters privileged interpreters of the past, often brothers and sisters of the subversive castaways of history. Maalouf’s  Balthasar’s Odyssey  ( Le Périple de Baldassare , 2000) spans the Middle East and Europe and scrutinizes their respective fault lines and connective tissues that solicit transcultural and composite approaches to identity. Balthasar records his permanent alterity by unceasingly questioning and adapting his own perception of the self in an ever-changing world, at a time of impending catastrophe. From the vantage point of Mitteleuropa, Mediterranean Europe, and the Levant, considered not as independent geopolitical entities, but as interconnected, rhizomatic geopolitical networks, the works of Maalouf and Magris emphasize the need to give voice to “other” accounts of history, to question our identitarian assumptions and to nurture the European project, a fragile, but irreplaceable possibility for a shared future.

The Compass of Literature: Europe and the Mediterranean in Claudio Magris and Amin Maalouf