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This paper examines how China has been portrayed in international cinema throughout the twentieth and twenty-first centuries. Using the Internet Movie Database, the authors extract the plot synopses of 4,927 China-related films. The authors apply the word embedding technology and Latent Dirichlet Allocation (LDA) topic model to explore the cinematic plots, as well as achieve the sentiment score and ascertain the socioeconomic factors of score change. The findings indicate that the image of China in international cinema has been associated with gross domestic product (GDP) and foreign direct investment. The image of China changed from the barbarian to the schemer, and finally to the civilized great power, giving the insight into cultural trends that traditional research methods cannot capture.

International Cinema’s Shifting Image of China: From the Barbarian to the Schemer, and to the Civilized Great Power