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The few existing pictures of Indigenous peoples of Baja California before the age of photography offer a precious window into the peninsula’s past inhabitants. The synoptic analysis of the material culture depicted in this imagery, from both religious and secular sources, reveals that the credibility of the pictures is based on highly contingent notions of truth that emerge from contextual relationships between images and texts. The essay maintains that representational differences mirror distinct ways of thinking about the depiction of ethnographic subjects. Although variability in style may depend on artistic ability and skill, diversity in subject and mode of representation are as much the product of multiple intermedial entanglements as they are the result of implicit aims and purposes. This unprecedented comparative exercise, while eliciting questions about what counts as accuracy in distinctive artistic and literary genres, encourages a reflection on the nature and role of images whose lives straddle between art and anthropology.

Representations of Baja California Indians as ethnographic art