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This article investigates how French playwright Florian Zeller positions his writing with respect to realism in his play  The Father  ( Le Père , 2012) and what his dramaturgy of porosity adds to the representation of dementia in contemporary theatre. Through an analysis of the text of  The Father  and its West End theatre production (2015), this article demonstrates the ways in which this play challenges the dominant perspective in theatre that depicts dementia from the perspective of the outsiders – i.e., those who do not have dementia. On stage, the perceived reality of persons living with dementia has often been portrayed as an illusion, in contrast to the ‘true’ reality perceived by neurotypical people. This article examines how Zeller’s dramaturgy of porosity, by making the audience see the reality from the perspective of the protagonist living with dementia, generates encounters with alternative ways of perceiving and relating to the world. While drawing on theoretical discussions on neurodivergent aesthetics, this paper argues that contemporary theatre can evoke divergent consciousnesses of persons with dementia by using dramaturgical and theatrical strategies.

Theatrical Affordances to Stage the Perceived-Experienced Reality of People with Dementia: Florian Zeller’s Dramaturgy of Porosity in The Father