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The author follows the discussants directly to the ocean as they infuse the initial essay with the sensory richness and material placeness accessible only to the genuine participant-observer. The concept of timelessness is dimensionalized to incorporate the swell of history. The reply culminates in a brief amplification of two themes which might otherwise be drowned out by other waves: the sexuality of  homo  dyadics, and the muses that inspired these sea dreams.

Shaka Waves: Reply to González and Hartman