English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article examines Japanese cultural historian Ōrui Noburu (1884–1975)’s work on the Renaissance, which he conducted during the interwar and wartime periods. Ōrui was a leading scholar in the field of Western history ( seiyōshi ) in Japan during the mid-20 th  century and developed his pioneering study of the European Renaissance with reference to prominent Renaissance scholars such as Jacob Burckhardt and Johan Huizinga. Ōrui’s research is mostly known in relation to Western history, but during the war he also probed the existence of a Renaissance within Japan itself. His discussions of both the European and Japanese Renaissance cultures reveal his concern with the question of modernity and the contemporaneous situation in Japan. At a time when modernity was being keenly debated, Ōrui’s Renaissance study addressed the degeneration of Western modernity and clarified the joint cultural significance of the European and Japanese Renaissances, although this attempt intersected with the existing narrative about Japan’s imperial expansion. Overall, this article contributes to research on wartime Japanese and transnational intellectual/cultural history and sheds light on Ōrui’s previously unrecognised but unique form of cross-cultural inquiry.

Ōrui Noburu’s Cross-Cultural Inquiry into the Histories of the Renaissance as a Critique of Modernity