English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper analyzes the evolution of a small electronic music scene in Brisbane from the mid-1980s to the present. Drawing upon the concept of scene and highlighting its local and trans-local dimensions, we assess how the place-bound attributes of Brisbane (cultural and political history, climate, built form) are still relevant when analyzing the emergence and development of an electronic music scene. The place-bound attributes of Brisbane played a strong role in shaping this scene: the sub-tropical climate enabling outdoor parties; the development of a strong trans-local character due to isolation; ‘scene hopping’ strategies from electronic artists, as well as bands; the hostile political and social environment that characterized Queensland, have all influenced the development of its electronic scene and informed the local/interlocal/virtual dimensions of this scene.

Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s