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Ibero-American supranational audiovisual policies were inspired by the EU media policy model and shared the idea of creating a regional audiovisual market to face Hollywood hegemony. The paper uses discursive media institutionalism and policy entrepreneur theory to assess whether the current discourse on digital media policies is largely history repeating itself or new ideas are being introduced. To analyze this crucial problem definition stage from a bottom-up perspective, the paper combines participatory observation in two film festivals and one industry event with qualitative document analysis and literature review. The findings reveal a combination of continuity and change where the policy transfer idea is still present, but the EU and its cultural discourse are no longer a reference. The overfocus on the economic perspective, and the inclusion of global players’ discourse can threaten the development of cultural policies in the region, which are losing policy entrepreneurs support and space for debate.

The end of an era? The decrease of the EU influence in Ibero-American digital media policy discourses