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The solo exhibition,  Nothing Matters , was installed on the mezzanine floor of an industrial panel beater warehouse at 400 Sydney Road, Durban, South Africa. The exhibition was open to the public from September-December 2021. The objective of the exhibition was to create ‘something’ of conceptual and aesthetic compulsion from a language of nothingness, whether it is ‘found’ in the surrounding temper of the public space or, in art, in various manifestations of the ‘dematerialised object’: the void; the empty canvas or gallery; the ‘invisible’ work; or the detritus of the everyday? The following is a dialogue between literary critic Michael Chapman and artist Greg Streak regarding the exhibition.

An Art of Nothing, an Art of Something: The Local in the Global or the Global in the Local?