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John Bradburne’s (1921–1979) poetics of sacred space and sacred waters highlights a geo-specific correlation between theology and topophilia. There is a world of water enclosed within the sacred woods and mountains, rocks, grottoes, and caves where this lay Franciscan servant of God prayed and had his ecstatic visions. The topophilia and cosmology of the  Canticle of the Creatures  of Saint Francis underlie Bradburne’s poetic inspiration, as waters flow in profusion from fountains, lakes, rivers, wells, and pools. The scope of the present research is to chart Bradburne’s Franciscan and Marian devotion and the dynamics determining the sacralisation of spaces and lustral waters. Thus, the action of Bradburne bathing patients in the Mutemwa leper colony near Mutoko, together with the pool of water on Mount Chigona where Bradburne bathed, contextualised a space of purification, contemplation, and harmony, while the civil war raged around Mashonaland in Zimbabwe. The element of water seems to map out Bradburne’s mystic life, from his birthplace near the Lake District and Devon to Lourdes and Assisi, to India, the waters of Galilee, and the Libyan oasis—and, eventually, to the pool on Mount Chigona. Since Bradburne’s death, the Mount has become a site of pilgrimage and devotion.

Theology and Topophilia in Sacred Spaces: John Bradburne’s Way of the Water