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For Clarice Lispector, language is a sacrament on dazzling display in her work, where the celebration of writing and the emergence of a creative consciousness through the act of writing  about writing  access an immanent experience of grace beyond any historical religious sensibility. In this, she simultaneously accesses the “great potency of potentiality” that is an experience of freedom undoing anything bound up by language. She embraces the failure of language as the “glory of falling,” the  useless  experience of grace, and of experiencing the gift of having a body beyond whatever words we can place upon it. In the struggle to behold the “it” underneath language, she strives for an impersonal love – a joy – that respects the inviolability of nature, the “Force of what Exists and that is sometimes called God.” If “the absence of the God is an act of religion,” as she claims, the inviolability of nature is that which preserves an experience of immanent grace in our world. Rather than describe the limitless potential of the self, one’s immersion in the joyful failure of language points toward the self in unique and profound ways without offering definitions, instead allowing internal contradictions to condition one’s selfhood. In Lispector’s fiction we thus confront the pure paradox of the self: an internal, singular individual who yet maintains  within  themselves (hence, its immanence) a plurivocal affirmation of existence itself and a redefining of God.

The Failure of Language Amidst the Joy of Grace reading lispector’s água viva as a philosophy of (non)religious insight