English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article analyses the transformation of the Catalan writer’s social space, which intensified with the independence process against Spain during last decade. More specifically, we shall focus on the dual structure of the literary field (Catalan literary field  versus  Spanish literary field) based on the use of Catalan or Spanish as expressive language, and materialized in different publishing houses, cultural institutions and cultural policies for the promotion of literature. The political conflict led some writers to abandon the literary field’s ivory tower and participate in the public sphere as intellectuals, supporting different political positions (pro or anti-independence). We shall analyze how these position-takings of Catalan writers (expressed in manifestos, newspapers articles, political essays, etc.) were related to their position in the dualistic structure of the literary field (Catalan  versus  Spanish writers) and the resources obtained in these social domains. The literary field’s limited autonomy (both in political and economic terms) prevented Spanish and Catalan writers to frame the political conflict in their own terms and according to their specific principles.

The writer’s contest: manifestos and literary struggle in Catalonia (2014–2020)