English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The paper argues that the narrative of the independent Republic of Bosnia and Herzegovina and of its capital city Sarajevo under siege (1992-1995) was built on the trope of Sarajevo’s European, Western-oriented, cosmopolitan cultural identity, based on the image initially nurtured by Socialist Yugoslavia. In the new context of the implosion of the Socialist Federal Republic of Yugoslavia (1945 -1991) the siege of Sarajevo and the war in one of the Yugoslav republics, Bosnia and Herzegovina, Yugoslav socialism was replaced by the multi-ethnic and cosmopolitan character of the young Republic of Bosnia and Herzegovina. I argue that the image of Sarajevo during the siege, as a by-product of foreign attention to the plight of the country and its citizens, was built on the pre-existing premises that promoted Socialist Yugoslavia as Western oriented and therefore progressive, in contrast to other communist countries beyond the Iron Curtain.

Enjoy Sara-jevo Coca-Cola, Material Culture and the Siege of Sarajevo