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“Rosa, I Disowned You” (2008) and “Disclaimer Intraducible” (2009) complement and extend Alicia Partnoy’s groundbreaking scholarly work on testimonio, serving as points of departure for meta-analysis of the nature of the genre and the constraints that human rights workers, translators, publishers, and readers still impose on survivors’ storytelling.

a/b: auto/biography studies

Recursive Witness: Narrative Critique of Testimonial Criticism in Alicia Partnoy’s “Rosa, I Disowned You” and “Disclaimer Intraducible: My Life/Is Based/on a Real Story”