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This article analyzes the representation of classic aging masculinities in Mario Gas and Alberto Iglesias’s play  Sócrates. Juicio y muerte de un ciudadano  (2015), featuring the leading performance of Catalan actor Josep Maria Pou. I will examine the physicality of Pou’s idiosyncratic bodily performance upon the stage in order to discuss how age is construed as a means to reinforce the Greek philosopher’s masculinity, as expressed in his use of rhetoric, his questioning of writing vs orality, and his final acceptance of death.

Performing Classical Masculinities and Old Age: Josep Maria Pou in Alberto Iglesias and Mario Gas’s Sócrates. Juicio y muerte de un ciudadano