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This paper will critically discuss the bulimia and  haka  (Māori posture dance) montage featured in Season Four, Episode Six of Netflix’s  The Crown  from an Indigenous Kaupapa Māori perspective—that is, from a position that accepts a Māori worldview as normal, valid, and real. This paper will argue that the problem with  The Crown ’s montage is that it represents Māori and the  haka  in exoticising, othering, and demeaning ways. Drawing on a range of theories, this paper will use Kia Manawanui—a Kaupapa Māori framework for analysing film texts—to critique the montage in  The Crown . This paper also argues that consultation with an expert in Māori culture and Kaupapa Māori filmmaking would have been necessary for  The Crown  to avoid representing Māori and the  haka  disparagingly.

An Indigenous Analysis of the Bulimia and Haka Montage in Netflix’s The Crown