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Shahnameh-ye Davari, dating to 1272 (1856) is one of the last  Shahnamehs , copied and illustrated in the traditional style. It is kept at the Reza Abbasi Museum in Tehran under accession number 599. It is a sumptuously decorated manuscript on a par with courtly productions and has sixty-eight illustrations, yet it is not a commissioned work. It was created by Mohammad ibn Vesal (1822–1865), with the pen name Davari, a poet/calligrapher/illustrator/illuminator of little or no means and perhaps as an ode to a dying art. This article attempts to introduce the manuscript, placing it within the context of the artistic history of Qajar Iran (1789–1925).

Shahnameh-ye Davari; An Ode to a Dying Art?