English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Visual analysis is a commonplace technique in geography pedagogy yet it is rarely used in the Australian literary studies context. This article explores the potential for visual analysis to contribute to the shared understanding of a work of literature in a university classroom setting. The use of visual analysis geography can encourage students to read texts closely and map them spatially using pen and paper. It proposes that literary studies educators may turn to innovative methods derived from geography to engage students with literary works. This article discusses a visual analysis assignment which centres on Jennifer Down’s Melbourne-based novel Our Magic Hour (2016) for a Literary Studies subject at RMIT University delivered predominantly face- to-face in 2018–2019 and then entirely online in 2020. I describe it as a “messy mapping” assignment which encourages students to acknowledge the limitations and erasures of positivist maps, while trying to capture relationships between emotion and place. I argue that “messy mapping” can activate the many connections and overlaps between texts and students’ own personal worlds.

Messy mapping: activating student lifeworlds through the handmade visual analysis of a literary text