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This paper examines the ways in which the digitalization of the music industries has impacted the work of musicians locally, in the semi-peripheral country of Hungary. In particular, it focuses on the ways in which the work of musicians is shaped by gender relations. It aims to critique the democratization discourse of the digitalization of musical production by exploring, first, the local policy and industry context of digitalized musical labor, and, secondly, the role of gender relations within the household in the labor and careers of musicians in Hungary.

Between Cultural Policies, Industry Structures, and the Household: A Feminist Perspective on Digitalization and Musical Careers in Hungary