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While the recognition of ambiguous emotions is crucial for successful social interactions, previous work has shown that they are perceived differently depending on whether they are viewed on male or female faces. The present paper aims to shed light on this phenomenon by exploring two hypotheses: the confounded signal hypothesis, which posits the existence of perceptual overlaps between emotions and gendered morphotypes, and the social role hypothesis, according to which the observer's responses are biased by stereotypes. Participants were asked to categorise blended faces (i.e. artificial faces made ambiguous by mixing two emotions) in a forced-choice task. Six emotions were used to create each blend (neutral, surprise, sadness, fear, happiness, anger), for a total of 15 expressions. We then applied signal detection theory – considering both the morphotype of the stimuli and the participants’ gender – to distinguish participants’ perceptual processes from their response biases. The results showed a perceptual advantage for anger on male faces and for sadness on female faces. However, different strategies were deployed when labelling emotions on gendered morphotypes. In particular, a response bias towards angry male faces establishes their special status, as they resulted in both excellent detection and a tendency to be over-reported, especially by women.

He must be mad; she might be sad: perceptual and decisional aspects of emotion recognition in ambiguous faces