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This article examines the representations of theatricality and the actor in le Carré’s work, using Tinker Tailor Soldier Spy (1974) and The Little Drummer Girl (1983) as case studies. Additionally, it will analyse the importance of the actor and performance in these two novels, and how it relates to the 'real world' practice of espionage at the time. It will also examine how the actor/spy relationship has been addressed in film and television adaptations of le Carré’s work, drawing from Tinker Tailor Soldier Spy (2011) and The Little Drummer Girl (2018).

The theatre of the real: the actor/spy relationship in le Carré’s Tinker Tailor Soldier Spy and The Little Drummer Girl