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This essay begins to locate female sadness in the complex popular literary environment of the seventeenth century. It focuses on bibliographical evidence to trace the physical presentation of despair in a set of commemorative pamphlets and canonical early modern theatre by William Shakespeare and John Webster. Doing so, this article aims to give insight into cultural cross-fertilization between popular literary milieus and enrich our understanding of how print conventions shaped and controlled female authorial voices.

“In Italian hand”: melancholy, gender and bibliographical codes in commemorative text