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Traditional museums consistently attend to the collection, research, and exhibition of material objects. When it meets cinema, the museum begins to transform its perspective from object-oriented to experience-oriented, shifting its aim from the musealisation of objects to the musealisation of Being and ushering in the birth of the “cinema museum”. Expanding from the phenomenological perspective, we contend that the cinema museum's primary purpose is not the cognition of material objects such as artifacts and technologies; rather, it is concerned with bringing into audiences’ perceptual world the living experience or the meanings expressed through film, thereby embodying phenomenological cinematic worlds as opposed to presenting a knowledge-based history of films. Unlike traditional museums, a proper cinema museum will demonstrate a new existential mode—a “museum without objects”—in which musealia is not to be cognised through the museality of objects but to be experienced through the museality of Being.

Museum without Objects: A Phenomenological Study of the Cinema Museum