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Ronald C. Egan, a renowned American sinologist, is best known for his accurate English translations, exquisite readings, and innovative perspectives on the aesthetic ideas and pursuits of  ci  poets such as Ouyang Xiu, Su Shi, and Li Qingzhao, as well as the scholar-official group of the Northern Song dynasty. However, through his longitudinal study of specific  ci  poets, he also shows a unique understanding of the development and evolution of  ci  lyric poetry in the Northern Song. An integrated analysis of Egan’s scattered articles on Northern Song  ci  poetry indicates that gender is key to his understanding of the evolution of  ci  in the Northern Song. On this basis, Egan has conducted in-depth research on three aspects: the gender perspective of the lyrical protagonists described by  ci  poets; changes in the form, content, and patterns of writing  ci  poetry; and new phenomena in  ci  criticism. His research further enriches the details of the evolution of Northern Song  ci  poetry and expands its historical research horizon.

Ronald Egan’s Research on the History of the Northern Song Ci Poetry from a Gender Perspective