English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Zendy Plus

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Zendy Tools

Zendy Open

This paper examines the background landscape depictions of two late fifteenth-century altarpieces and discusses what these commissions reveal about the contrasting societal and cultural influences affecting the respective patrons. It suggests that their aspirations and self-perceptions are evidenced within differing approaches to landscape depiction at this time. The paintings demonstrate contrasting concerns and cultural identities north and south of the Alps and may relate to divergent symbolic associations utilised within their particular elitist environments.

landscape history

Social ‘Under-painting’ in 15th-century landscape depictions What can an analysis of painted landscapes reveal about contrasting social aspirations and self-perception in late medieval society north and south of the Alps