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This essay offers an introduction to a special section on ecology and performance in South Asia. Aiming at ‘green’ studies of music and performance, this collection explores intersections between ethnography, history, eco- and ethnomusicology, and film and performance studies by paying particular attention to the ecological turn more broadly visible in South Asian studies. The papers address varied ecological settings of South Asian music and performance, from riverscapes to coastal communities, and from the locations of instrument-makers to negotiations of the climate crisis and the COVID-19 pandemic. The novelty of the section lies not just in mapping the dialogism between ecology and music through reflections on liminality, gender, resistance and identity, but also in bringing forth new archival strategies (digitisation and digital cultures) in conversation with ethnographic findings.

Introduction: Ecology, Music and Community—Exploring Performance in South Asia