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In an interdisciplinary collaboration, restorers, art historians, and scientists examined Guilio Romano’s  The Madonna with the Wash-Basin  of 1525 (Dresden State Art Collections). Insights into the painting technique along with art historical comparisons provided the opportunity for a better understanding of the painting’s genesis, in particular concerning an early reworking of the background by the artist. A recovery and reconstruction of the earlier version of the background is now possible. The discovery of zinc in distinct passages of the painting, as well as the grey-black pigment stibnite and glass particles used as a supplement in paint layers are of special interest. The technological investigation initiated a discussion about the circumstances of the revision, as well as the painting’s relation to Vasari’s  Lives of Artists .

The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History