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Jung traveled to Ravenna twice. When that was, and exactly with whom has been debated. This article retraces those travels, their timing and context, and the impact the city’s late antique monuments had on Jung. While Galla Placidia and her mausoleum occupied center stage at the time of his first journey and left deep traces in  The Red Book , the Baptistery of the Orthodox attracted Jung’s attention during his second visit. As he subsequently recalled on various occasions, and most famously in  Memories, Dreams, Reflections , whilst inside the Baptistery he had the vision of “four great mosaic frescoes of incredible beauty,” which turned out to be nonexistent. Up until today, Jung’s vision has remained unexplained, but a careful assessment of the Baptistery’s interior layout makes it possible to identify beyond any doubt the outer source of Jung’s inner images. Furthermore, this article inscribes Jung’s landmark Ravenna vision within the larger context of his understanding of visioning—the “art of seeing”—as his pathway to individuation and inner rebirth.

Jung and Ravenna: The Red Book , Visioning, Rebirth