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Critics have tended to read  Saturday  through the lens of ­rationalism, or its failings thereof. This article suggests, perhaps counter-intuitively, that it may be read as an allegory of theological yearning in a world bereft of magic. It is not to cast aspersions on McEwan’s commitment to reason, but to make a case that deep-rooted religious impulses adapt to the dictums of secular materiality and that, instead of abandoning metaphysics,  Saturday  secularizes it.

Surprised by Sin: Medical Metaphors and Secular Eschatology in Ian McEwan’s Saturday