English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper examines how the negotiation of the traumas of slavery and its legacies in Yaa Gyasi’s  Homegoing  (2016) deviates from traditional trauma literature in terms of its form and content. Gyasi’s novel is shown to be structured as a postmemorial family saga, allowing it to highlight the transgenerational and transtemporal effects of trauma in a way that differs markedly from the modernist aesthetics prescribed by traditional trauma theory.  Homegoing  features a confrontational approach, as it represents trauma directly and explicitly, whilst positioning the reader and several characters as implicated subjects. The novel moreover shows itself attuned to the complexities of trauma by featuring cases of insidious trauma and emphasising how traumas may be rooted in structural issues.

“This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing