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Using materials from the Kazuo Ishiguro archives located in the Harry Ransom Center in Austin, this article explores Ishiguro’s unpublished film-related works – his Japanese ghost documentary film project, scriptwriting experiments for  The Remains of the Day , and reviews for films – in close relation to his major novels to reflect on the cinematic influence found in his writing. I argue that his scriptwriting and thoughts about film helped Ishiguro create a type of composite universe in which illusions from individual memory and national history reflect each other and where narratives of Japan and Britain are connected with those of the world.

Kazuo Ishiguro’s Development of Stories through Film