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In this paper, I aim to show the importance of transferring metaphors from our aesthetic experiences to social praxis. I will therefore focus on reverberation, a phenomenon in the perceptual field of sound, to argue that it offers a deep understanding of social experiences. Reverberation is a secondary concept in Paul Ricœur's hermeneutic phenomenology, but it plays a crucial role in his analysis of imagination. Firstly, I will examine Ricœur's analysis of the phenomenon of reverberation within the framework of his phenomenology of imagination. Secondly, I will read Ricœur's reference to G. Bachelard, considering the reverberation in the poetic image. Thirdly, I will study his reference to E. Minkowski, who thinks about reverberation within a cosmological scope. Finally, based on these analyses, I will outline the transfer of the phenomenon of reverberation to the field of social praxis.

The Reverberation Phenomenon and Social Praxis. Notes for a Sound Phenomenology